#MondayBlogs – Goal Setting

I love how Monday rolls around and I get this strange motivation that the beginning of a week will be different than all those other “failure” weeks. I have this confidence that if I was able to drag myself out of bed at 6 am and work out to a particularly hard Jillian Michaels video, then I can conquer the world.

Today was no different. I woke up in a really good mood. I got 30 minutes of intense work out in, and I made my lunch and fixed my breakfast, and I had minutes to spare before my husband got ready to carpool to work.

I arrived at work feeling READY. I tasked out all the things I had to catch up on, and I made a plan. As usual, most of my work was done in the AM, and now I’m working on my goals for the evening.

If I’m this productive in the day, hey, why don’t I try that schedule again? Meaning – it’s a new week, I will go back to trying to work at an art/creative schedule after work.

I grabbed the post-its and opened my calendar and laid it out.

GOALS PER DAY:

– 30 minute morning workout

– 1 drawing/sketch

– 1 hour of editing/writing or 500 words of writing

– 15 minutes of yoga/meditation

– stay under 1500 calories

Seems doable right? But there’s always this underlying fear in the back of my mind that something is going to trip it out. Murphy’s Law has put a target on my back. The shotgun is ready, and he’s already digging pitfalls for me to encounter during my perfectly pristine week of simple goals.

Maybe I have time to still fill those goals in barring any trip ups. Maybe I have nothing to worry about.

But I made a pact with myself, and I’m the person that I can let down. Let’s see what happens.

I always bet on myself.

Cheers,

H.K. Rowe

Hello, March!

*waves*

I have such a busy personal life. It’s been really hard to juggle things, and I’m dealing with a lot of stress lately. But the good news is I AM writing again. Even if it’s not much, just fan stuff and outlines, and sometimes nonfiction and poetry stuff. But I’m WRITING, so I guess that’s something.

I have lots of plans for Killer Orange and editing a second edition of Unbridled. I’m working on sifting through a series I started about grim reapers. I found some old outlines that might be good novellas someday. I’m hoping something comes together soon.

Until then I have March to contend with. I have a lot going on personally, some of it scary some of it wonderful. I’m hoping work goes better lately and I’m able to have some sales. I’m working my butt off so here’s hoping I see results.

I hope everyone is doing well. I will try to catch up with posts as best I can.

Cheers,

H.K. Rowe

Something Different

It’s true. My writing schedule is sort of paused right now. I’ve been insanely busy, dealing with some anxiety and trying to find any motivation in these subzero Chicago temperatures. It’s been brutal. I feel the cold so deep in my bones it’s been hard to do anything productive. I’m most useful at my job, it seems, because that’s how I have to be. Otherwise, I’m just energy drained.

Here are some things that passed across my Facebook feed that I felt I needed to share:

7 Romance Publishers that Pay – For those romance writers out there. 7 Publishers looking for submissions.

Chicken Soup for the Soul – $200 for non-fiction poems or prose.

I hope those links help out! For those of you dealing with the snow and cold, stay warm! For those of you in the warmth and sunshine, enjoy it, you lucky bastards!

Cheers,

HK Rowe

#MondayBlogs – Talking About My Book and Other Fears

Last Saturday, my husband and I planned on having a date night with just the two of us. With our busy schedules of my two jobs and his social work job, as well as with social events with family and friends, we’ve rarely had time to ourselves lately to enjoy each other’s company.

We must have been on the same wavelength because we’d both somewhat suggested it to each other to reserve that Saturday night for us. I’d been wanting to go to a new sandwich cafe in Elgin that I’d heard about called Blue Box Cafe, which you can guess is completely Doctor Who themed. They served coffee and tea and sandwiches with locally made products. They gave almond milk and soy milk options for their coffee, and for me, who’s lactose intolerant, that was ideal. They streamed Doctor Who episodes on two TVs in the backround. We’d watched the tale end of Cold Blood when we’d sat down to eat our sandwiches.

After dinner, we’d noticed that the place was filling up for a live podcast show. Since our plans did not include this, we intended to leave and I’d later look into what other geeky events they had going on some other time.

Before we left, Joe noticed all of the business cards and flyers by local businesses, freelancers, and artists on the window sill before leaving. He turned to me and said, “This would be a perfect place to leave your card with your book link on it! Do you have any?”

Immediately, I froze. I didn’t want to be a shameless promoter when I’d just found this sacred space – a place that I was still awed and nervous about because I didn’t want to screw up my image in front of the people that came here. I wanted to be withdrawn and observe first, work my way into this place and the atmosphere before I shamelessly promoted myself into a place that I hoped to make another local hangout.

I didn’t even look if I had any cards. I just told him I didn’t. I knew I was low on them, but I just fibbed a bit and was too scared to leave them. I wanted to leave them, but I froze. I felt almost dirty even considering it. I had just come to this place!

This is just something I’ve struggled with lately. Publishing a book is a new experience for me. For more than a decade I’ve “published” fanfiction all over the web and even in a couple of annual fanzines, but I have never really talked about them in real life. Fandom culture is so different to me than the indie writing world. There are so many “don’t do this” and “don’t do that” rules to proper marketing and etiquette in drawing interest for your book. I was afraid leaving a stack of cards for my book would make me one of those people that others felt was too audacious, too presumptuous that others would care about my book. I felt like a creep, almost, even considering putting my book cards there.

It’s silly, I know. My first book sales weren’t a crazy breakthrough like most people’s. I could have marketed it better. I could have talked about it more. I could have printed out more cards and left them everywhere I went.

I could still do that, but I’m skittish. I’m still dipping my toes intp the cold waters. Cautious.

My poor friends and friends of friends have to pretty much pull my arm to get me to talk about my book. The shocking thing is that if and when I DO talk about my book, people are always interested. Then I can’t shut up. People are always amazed I did such a thing. It makes me proud of myself and feel accomplished.

Yet I feel like I always have to keep myself in check. Don’t want to get a big head!

And yet, I always find out that it isn’t the end of the world when I talk about my book and no one is interested. People generally are. I can’t let this fear and hesitation continue to rule me. It’s something I have to work on, and I’m always searching for ways to improve myself when it comes to this task of just breaking through the wall I’ve built around myself and just TALK to people.

Perhaps soon I’ll get over it. I mean, I pretty much have to if I will continue to put out more books. Maybe I’ll even get to the point where I leave a stack of my book cards at my favorite coffee shop.

Cheers.

HK Rowe

Nonfiction Wednesday – Vision of Her

Vision of Her

I had a vision of Her, in the most beautiful clearing of a forest, a little slice of Summerland on Earth just for us.

She saw me weeping and took my hand, and She drew me to a hill glittering with yellow spring flowers and emerald green grass.

As She pulled my hand to follow, I saw Her face, Her smile – the brightest  I have ever seen, brighter than sunlight, and Her hair was long and flaxen, wild and windblown.

Her laughter was warm and soothing as a summer breeze and Her head had a crown of flowers atop of it.

Suddenly as we twirled, dancing and laughing together with our hands still entwined, fairies began to shimmer around us, playing ancient music of happiness and joy.

I laughed with Her. Danced with Her, and with Her eyes of moonlight, she gazed at me lovingly, warming me through my heart and soul.

We danced until the sun went down, where it felt like no time at all had passed.

Finally tired, we collapsed into the grass, cool from the twilight. I caught my breath, but She still held my hand.

I turned to look at Her, and She smiled one last time.

I followed Her gaze to the stars, and when I looked back, She was gone, returning to the Moon, but never really leaving me, looking down at me, watching and forever dancing with me within my soul.

© 2014-2015 H.K. Rowe

Nonfiction Wednesdays – Silent Knight

The sexual tension between us was like silly string. Though I’m sure it was thicker on his end and thinner on mine. Despite the carnal looks he gave me behind that sheepish smile, I knew that it was time. I had the scissors ready in my hands to end this gauche chase.

I made the motion to him to come follow me out of the sweltering store and have a seat on the ground. I sighed heavily and rested my back against the window. Dirt and pebbles crackled beneath me as I shifted into a comfortable position on the rough concrete.

He followed me nervously like my dog does after a rough scolding. How could I tell him? He was my friend, but I could see in the way he looked at me that he wanted to be more. I knew he would patiently wait an eternity if I gave him one obliging signal over any course of time.

If I wanted to save this friendship, I had to be the one to bravely speak. I wasn’t going to let this tension haunt us any longer. I shifted the dirt between my fingers. I wasn’t nervous, but I was scared I’d hurt him. I cared about him, but he wanted a different kind of care that I just couldn’t give him.

“You know, you’re one of my best friends.” I licked my lips. I still couldn’t look at him. “But I can’t think of you as any more than that.”

There! I did it!

I choked back a sigh. I wanted him to see that this didn’t affect me.

But it was painful. I knew that inside him the gallons of hope for me to ever love him swiftly evaporated away with that statement. I was the coward though. I couldn’t even look him in the eye while telling him something that would change the way he looked at me forever.

Superficial conversation soon followed, and he sauntered around lightly acting out that nothing had hurt him. But I knew by looking at his eyes that it did.

© 2004 – 2015 H.K. Rowe

#MondayBlogs – Time Management and Other Failures

Last night I made a post around 9:30 in the evening. Ideally, I should have set that up last night and scheduled the post, and then it’d be done and I wouldn’t have to worry about it. You would think on a Sunday I could make one damn post!

Saturday night I had the misfortune of getting a migraine. I get them a lot, though lately they’ve been rarer. I was not lucky Saturday night. It hit me while I was at a friend’s party and it lasted into the morning. It really ruined my schedule, which really stresses me out. In a perfect world, we were supposed to come home from the party, I could make my post and schedule it for the morning, and then I could get a good night’s sleep so in the morning I could wake up early and go through all the things on my Sunday to-do list into the evening. It would have been great! I had everything planned…

*sigh*

Unfortunately, my anxiety and migraines don’t care about my plans. My social life, my career, the dogs, and all those pesky last minute favors I do for others don’t care about my writing schedule. The weeks begin to melt away and once again my drafts go untouched. It’s been daunting trying to find time to write.

I read a ton of articles and blogs telling me I’d just be successful if I’d set aside DAILY  writing time. How cool would that be? If only my days were that consistent. Maybe I do four to five days a week? Maybe I do three? Maybe I wake up super early (not the time of the day really enjoy writing fyi) and write 300 words! Maybe I write at the same time of the day as Famous Writer A! Then I’d be successful.

I work two jobs. I take care of two needy dogs and a frazzled husband (he’s a social worker, ’nuff said). I take care of myself sometimes, you know – exercise, eating, hygiene. Occasionally I write. (I don’t even want to go into my drawing and art muscles – poor things.)

Perhaps this article is a tad bit cynical. Maybe I’m just whining. And I’m sure people have tons of advice. The challenge to find writing time is working with my own crazy schedule. How do I schedule a moment of peace within a tornado of chaos? Maybe I scale back some of my busy social and work things! Maybe… Well maybe I just learn to say no to others so I can say yes to myself.

I’d be happy to hear anyone else’s woes on how they have no writing time. I’d like to know if you solved your problem and if you found some balance in your own chaos. I can’t figure out myself yet. I can’t just write whenever I have the time! I need structure, and so far that’s been the one thing that’s been holding me back.

Cheers,

© HK Rowe

#MondayBlogs – Writing Origins

I have always dreamed of being a writer. I know that’s a cliché line. Probably everyone here has dreamed of becoming a writer so they could someday see their work in print.

I guess the difference is that during the end of my teenage years, I abandoned my dream. I saw it as a necessary tragedy, an end to years as a child who dreamed of having my book in print and on the shelf at the store.

As a child I suppose I was naïve. I believed that I could be a writer because so many had done it before. I had encouragement from other adults, teachers and peers that I should write.

At age 5, I wrote a poem about horses. The poem was written in the middle of a sheet of copy paper, framed off by a pencil line. Outside of the framed poem, I had drawn apple trees with horses underneath them. This was the beginning of my aspiration to write, as well as draw.

When I was 13, I wrote and illustrated a story about a Native American girl who stood up to her Colonial oppressors and traveled the nation to speak out about her culture and protecting their lands. She was bullied, threatened and ignored. Yet she was braver than I could ever be. My seventh grade teacher had faith in me though. She sent my story down state for the Young Author’s Award.

At age 16, I wrote a poem about Marilyn Monroe and got it published in the local advertising paper. I have never been prouder of myself, and for a kid like me, it was hard. I was naturally introverted, an inward observer and thinker. I did not like socializing with people and writing was my only escape from being ostracized and bullied. I was a child from a divorced family, a child wounded from parental abuse. I was a child that often questioned a faith that did not fit me. Writing and reading (and art) were my sanctuaries.

I was always writing, filling diaries with my daily thoughts and struggles, and filling blank books with stories about female pirates, Christian girls who wanted to protect their families, and women in the Regency area that struggled to be independent in a patriarchal system. I wrote sci-fi stories about unknown worlds further expanding my creative escape.

Before my first semester of college I worked on the longest story ever, writing by hand because I could write anywhere (this was 1999, things weren’t entirely mobile at this point), and when I was finished, I used my new student ID to get into the college library so I could use the computer. I could type and write to my heart’s content, without any distractions. I wrote this story to enter a Science Fiction contest, and I was proud of how much I had accomplished. It was the longest story I’d ever written – 20,000 words! When I finished the manuscript and saved it on my floppy disk, I was ready to take it home.

Then, storm warnings went off and everyone in the library as well as the college were shuffled down to the basement. A twister was spotted in a field not too far from the college and everyone had to take safe cover in the basement.

Minutes went by and when we were cleared, I headed outside to the parking lot under a green sky, got into my car and headed home. My parents were frantic with worry. I was scolded and shouted at for being irresponsible, and I was sure I had told them I was going to the college to type my story. In a moment of their frantic worry, I felt like my story didn’t matter. I felt like I was being denied the glory of finishing my story because the storm had fueled them with worry. My accomplishment was nothing.

It wasn’t long before my focus on my writing would go dim. When I’d received acceptance into a college that focused on playwriting, something I dreamed of pursuing, I couldn’t wait to tell my mom. I wanted to become a playwright and work in Hollywood or Broadway! I wanted to write the next big TV show, or even a movie. The college was out of state, sure, but I’d been accepted, so that didn’t matter right?

It really didn’t. What mattered was the major itself. If I pursued this major it would mean that I would not go into the art field. I would not learn about design or art or even art education. My mother did not want me to give up on my art talent.

To me, it did not seem like my writing was as important as my art talent to everyone else. I was discouraged again. I left writing; I left my dream, and I enrolled in another school and declared another major: Illustration.

I can’t tell you how much this one moment in my life still stings me today. I felt like I was pressured to become an artist – to mold and shape that talent, and though I love art and design and did well in school for it, I never felt complete.

I suppose I gave up. I gave up the little girl who wrote stories and illustrated them. I gave up the dream to have a book on the shelves or write a play on Broadway.

I did not give up writing for long. Somehow, such a thing always comes back to people who have it singing in their blood, bones and brain.

I found another outlet, away from discouraging peers or family, away from my anxiety and stress to be the perfect artist… I found fanfiction.

A lot of successful authors have terrible and nasty opinions about fanfiction. They don’t think it’s real writing. They don’t believe it’s beneficial to borrow other people’s characters and make other worlds out of them.

At the time, I didn’t care about that, and I’m glad it didn’t. Fanfiction changed me. I saw all these people coming together for something they loved and putting their own spin on things. I wanted to be included. I wanted to share my thoughts. I wanted to interact with these communities.

In 2001 while I was at college, I did. I joined a few anime fandoms and began writing stories, joining online clubs and meeting other writers. There was drama, of course, but there  was also a great sense of community with critiquing and encouragement.

It was about this time I dropped my Art History minor and pursued an English Minor. I met my husband in an English writing class, and my writing began to improve with each fanfiction I wrote. I gained my confidence as a writer back; even if I was just getting encouragement from people on the net, it still meant something to me. It meant a lot to get that attention and to give it back, thus forming relationships with people. People come and go, but some have stayed, and I cherish all those relationships and experiences.

Around 2011, a fandom friend suggested self-publishing. I had seen fanfiction writers self-publish with vanity publishers and such, and I just found it way too expensive. However, I came to learn that Amazon was making it much easier for people to publish things on their own.

The idea wouldn’t leave me alone. I could finally publish something entirely mine! Someone might read it! I could share my story with others!

The little girl who used to dream about being a writer returned!

The rest is history. Last May I self-published my first original novel. I still write fanfiction to escape, but I’ve become a lot more focused on my own self-pub writing career. It’s still new, and I’m still learning, but I won’t give up this time.

I won’t let people discourage me.

I know I will always be writing. I owe a lot of my writing resurgence to fanfiction, and I am not ashamed of that. I guess the lesson is…whatever inspires you to write and improve as a writer, don’t ignore it. Take that chance. Find others who share your passion and express yourself. Don’t let people tell you not to write. Don’t let people’s opinion hold you back.

Has anyone or anything tried to discourage you from pursuing your writing dreams? Has your writing future ever seemed bleak and doomed so much you wanted to give up? What helped you overcome it as a writer?

Cheers,

HK Rowe

Flash Fiction Friday – The Playroom

The Playroom 

I dream of an old house, and I’m always afraid of it. Yet, I travel there and wander through the vast rooms, changing forms and designs.

I once grew up in this house. It is the house of my patchwork childhood, where my mother lived with a man she grew to hate. Where their arguing echoed throughout the halls, leaving a mark of their frustration as a thick black residue on the thin walls.

Where I lived with a man that used to be a father, an abuser, and later – a stranger.

The house still exists today, but it does not appear like it does in my mind. The landscape is mutable, evolving and warping through the raindrops of my memories. The rooms are familiar but I dwell in them as alternate versions of myself. I wake up in the rooms of this house sometimes – as if I’ve always lived there, only growing through the fine lines of spider webs of different lives.

One room used to be my playroom, which had spilled out from the kitchen. I remember a picture of myself in this room, sitting with my legs tucked under my knees in a schoolhouse desk, gripping a pencil and trying to see through my long brown bangs. I’m smiling at whoever is taking the picture – probably my mother. I’m wearing light purple pants and a white shirt with matching purple sleeves. I’m happy, and one tooth is missing in the front of my mouth. I’m waiting for the picture taking to be over so I can resume my drawing. In the background, a late afternoon sunlight trickles through a dark curtain, making the room look orange and gold.

I remember the room being scattered with toys and pencils and crayons. Occasionally, a cat would hide inside the room – finding solace in a toy box or window sill.

In my dreams, the room is never like this. It reshapes itself into other forms, in other lives, but I’m still there.

It always smells like cats, and I’m afraid of what’s underneath the carpet. Something is underneath the carpet. The floor’s not clean. It smells like urine and old messes. I feel like it will never be clean. Each time the room changes, the carpet changes, but it is never clean underneath.

In the high corners of the room, a black mass is always hovering above me, circling the ceiling.

The room sometimes seems longer, like an addition was built onto it – making the blackness out of the corner of my eye appear endless and hungry.

Other times, the room is small, and I’m encased in a box, always worrying about the old stains of the past hidden under a pristine new carpet.

Sometimes I’m a young girl. Sometimes I’m almost a woman. Other times, I’ve returned, still living in the house as an adult. Still worried about the old stains hidden from everyone’s eyes.

I can still smell the past. I sit in the room and hunch over, running my fingers over the carpet expecting to find a wet stain.

There is never a bed in this room. My schoolhouse desk is gone. Sometimes there are things littered on the floor: food wrappers, tissues and broken pencils. Pieces that embed into the carpet and stick to your feet when wet. Other times, it’s an ordinary room, and my mother is telling me that they redid it, that it’s ready to show so the house can be sold.

Once – the room had dark wood paneling on the walls. It felt cheap and flimsy as I scratched my fingers over it. That part never changes. I can still feel the cheapness of the walls. I still see the dark wood blending into the black mass that coils in the corners like a snake, waiting to wrap around me and draw me into another corridor of the room. Another changing place that used to be different in my childhood memories, but returns to my dreams like a distorted film reel.

I pace around this room like a ghost. I’m alive but my spirit travels here, seeing only what it thinks it remembers – pieces of a tattered painting that aren’t coming together as it used to be when it was whole.

The room will always draw me nearer to why I’m always coming back – promising to reveal secrets but only spiraling with an old fear.

(A memory can scab, but sometimes it scars. A thin white mark reminds me of what was.)

Today the room looks different. I’m not sure what the current owners have done to it. It could be expanded. It could be knocked down and changed into something new. I won’t know.

There is no reason for me to intrude on the current owners of the house, no matter how much my curiosity cloys. Knowing wouldn’t satisfy me anyway. It would be a stranger’s house, with a stranger’s energy into it. Mine is long gone by now. The room is inviting in my dreams, and I only recognize it by my unreliable memories.

Instead, my dreams paint me different pictures, trying to guess at what it used to be, filling in the blanks of yesterdays with the absurdities of my own mind.

Will I someday release the room inside my dreams – the room that once was my playroom when I was little? I don’t believe so.

Something is still lurking there. A secret that must be told. A shield is protecting me from whatever really happened in there, and why I keep coming back to it, why it draws me from the real world into a mad world of phantoms and fears.

The room is an open invitation, but the language is all wrong. The message is tangled and tattered. Maybe the truth is lost forever.

But I keep returning to it. I keep existing in a room that is gone from time, but never gone beyond the waking world.

Part of “The House of Wasps: An Unreliable Memoir” which is a new project of mine.

©2015 HK Rowe

Nonfiction: The Lottery Club

Welcome to nonfiction Wednesdays!

Why did I choose to talk about nonfiction? Well, for one, nonfiction is particularly special to me. I took Nonfiction Writing at Northern Illinois University as an elective for my English Minor back in 2002. At the beginning of the semester, I was dating this guy who I met on one of those free dating sites. It was actually sort of a new thing back in 2002, and he was the second guy I’d met through it. He was, well, a pretty decent boyfriend. However, as I’d find out though some of the weeks before spring break, he was turning out to be sort of a basketcase. We were happy and things were good until he became distant and shady, and then he decided to break up with me right before spring break. Nice guy, eh? Well, it was college.

During that spring break I had to write a paper for my Writing Nonfiction class and read it to everyone when classes resumed. I was so distraught that I couldn’t think of anyone else but my ex. I tried writing my paper about him – in a notebook and on the computer. Nothing I wrote was good. It was all awful, and as I wrote I found myself sounding completely pathetic. My feelings seemed real, but they just weren’t real to me.

I’d soon realized that writing about my ex was just purging. I was releasing myself from the relationship through my words. They were valid, at least to me, but to share them with a class seemed horrifying. Not only that, I didn’t want to seem like a complete loser in front of my writing peers. As some people know, when you take an English writing class, some people can be pretty harsh (and rightly so).

So I scrapped everything I wrote and decided to write about someone else besides myself. I didn’t want my paper to have anything to do with me that had any sort of depth.

I wrote about my job. I didn’t care at the time. I wanted to disconnect myself from my broken hearted misery and write about something that I knew I could write about without really thinking. I wanted to write about a place I was pretty comfortable sharing with others, something that came easily.

At the time, I was working at a gas station. I’d worked at a couple different gas stations for 2 years at that point. I’d worked at one back home, and then I’d found a really well-paid cashier position at a busy gas station in DeKalb near the college.

I decided to write about my job at the gas station back home. I was feeling homesick, and even though it doesn’t sound like the most luxurious jobs, I enjoyed the people I met there. Trust me when I say that gas stations bring in a variety of people from many different backgrounds and social circles.

I’d served the blue collar types, like construction workers and auto mechanics. I’d served the mayor, councilmen, police officers, and clergy. I’d served people on welfare and homeless people. I’d served college kids, high school kids, and even little kids who came in to buy a candy bar while their mother watched from outside.

Probably my favorite people to serve were the lottery players. I had a love-hate relationship with them. When you worked at a gas station, you had regulars, and you had the same folks buying lottery too. So, for my paper I decided to write about the regular lottery players I’d like to call The Lottery Club.

Consequently, my decision to write about these lottery people was a good one. Many people in my class were impressed, even the biggest critics. One person was not entertained, but he was known for finding fault with everything and never being satisfied. It felt good to hear the teacher of the class knock down his criticisms to defend me.

Not only was this one of my proudest writing moments in my lifetime, but the Writing Nonfiction class would forever change my life in a different way.

In this class, I met another student writer there that would someday become my husband. When I’d fretted over what to write after my breakup with that other boy, I’d searched inside myself and expressed something deeper, a part of myself I was delighted to share with others, rather than drown them in my personal suffering. In the end, a bad relationship had ended and another was soon born – a better one.

So I am pleased to share with you that story I wrote, complete in its original form:


 

The Lottery Club

(HK Rowe © 2002-2015)

 

Normally, my six-hour shift never changes. I work at a small, obscure little gas station that attracts the lowest class of people. The same people come into the gas station to get the usual things they did on previous visits. After awhile of repeat visits, regulars are known by first names to us employees at Phillips 66. The people who are normally the regulars are the lottery players. They play Midday and Evening lottery. They never hesitate to spend lots of money either. They constantly consult each other about numbers that they “feel” are right. They’re in tuned with the lottery and number gods. Or so they think they are even if they lose repeatedly.

Butch: President

At Phillips 66 in Freeport, Butch is the great sage of lottery. Not only does he spend over a hundred dollars a day on numbers, but also money seems to be no object to him. To the others who play lottery, he’s the Messiah. They always look up to him and await his advice.

Unlike the other lottery players, he seems different. His demeanor and appearance seems to be cleaner and more refined then that of the others. He definitely has money to spend, for he is the owner of Mrs. Mike’s Potato Chips.

I’m often curious to why the other lottery players look up to Butch so much. He’s won several thousands of dollars on lottery, but he’s lost just as much. For some reason, the numbers he picks seem to influence the others enough so they play the same.

I always know when Butch appears on my shift. I can see his curly white hair, pink face, and round torso sitting in his blue Jeep as he pulls into the station. His golden presence is radar, and shockingly other lottery regulars seem to come to the station simultaneously when he’s there. He walks into the station and usually some are quick to greet him, inquiring about his numbers and their miraculous origins.

“I saw this license plate number 4-7-6, and I have a feeling it’s going to come in soon,” Butch says when another lottery player asks about his numbers.

“Oh, yeah. I saw that one too. I saw 6-4-7 on the address of a house when I was walking Bogart the other day,” says Ed.

Their chatter warms the dullness of the gas station. They socialize, talking about numbers with passion. They are in their own worlds, and they don’t seem to mind being slowly forced into the corner with the candy and 12-pack sodas by the bustle of other customers.

Butch hands me his long list of numbers. He always tells me to not hurry. He’s going to talk to Ed about his failure at Midday numbers.

“I almost had it too!” I also hear him say, “I second guessed myself again. I had a little feeling about that number but didn’t play it.”

I snort unhappily at his long list. He always plays his numbers the same way every night. For Pick 3, he has about eight or so different numbers and I have to type in each number and play them as a Strait Box and a Strait for a dollar five times. His Pick 4 numbers are played about the same way, only instead of a Strait Box for each number, he wants a 50/50, which is 50 cents Strait and 50 cents Box.

After I type in the first four numbers, my fingers become robotic and seem to move on their own. I push the bright blue, green, yellow, and red keys of the black machine… 4-5-7…Strait Box… Send…Last…Strait… 1 dollar… Repeat…05 times…Send…”

The process seems to take forever. Whenever I punch in his numbers, the redundancy seems to slice my brain out of my head and turn me into a zombie. I don’t usually like getting interrupted during Butch’s numbers by other customers. Because the routine is so ingrained in me, I sometimes hiss like a monster after other customers interrupt me.

Once I get his numbers played and paid for, the rest of the night seems like a reprieve. But I still get annoyed as more lottery people come.

Ed: Vice-President

Ed is Butch’s second-in-command. Butch and Ed wait for each other to show up most nights so they can discuss numbers. Like Butch, Ed drives a distinctive vehicle. When he pulls up in his rusty, dull maroon van, he moves out slowly, gliding into the station like a phantom. As his master leaves the van, Ed’s hound dog Bogart barks at all the other customers coming into the station. Ed has a routine usually every night. He gets about four dollars of gas in his van, buys a bag of cheap Cheetohs for Bogart, and disappears into the bathroom. Usually he’s so quiet I forget he’s still here. When I look out the window, and I still see his van and a hyper Bogart, I know he’s around somewhere.

Eventually, Ed slinks around the corner from the bathroom to my high counter. If Butch isn’t here, he’ll inquire if he has been. Whether Butch has been there or not, Ed will stay, usually for a very long time.

Ed can seem a little scary at first. He could be mistaken for a little homeless man. He wears a ratty old navy overcoat, full of dark spots of unlimited amounts of dirt, smoke, and any other filth. He always wears a blue knit hat, and I’ve never seen him without it, even in the summer. His face looks hard and tired, and without being touched I feel his face is rough and bumpy like beef jerky. His beard, a style stolen from Abe Lincoln, makes him look a hundred years older than his actual age. His eyes are teary and wet, and they remind me of eyes of an aging dog. One eye doesn’t seem to work very well, constantly flooded with tears and moving erratically.

Despite his homely appearance, Ed has a sharp and cranky tongue. His voice has the intimidation of a strict old-fashioned grandfather. He usually looks at me intensely with his erratic blue eye and says to me, “What number is that bingo on?”

Whatever number I say, he steps back in intense thought. Nothing on his body will move except his erratic eye. Suddenly he opens his mouth full of brown rotting teeth.

“Give me it. And don’t disappoint me.”

After about five disappointing bingos, he plays his Pick 3 numbers for the evening. First he wonders about Butch’s numbers, and then he reluctantly plays them, but in a different order. He never spends more than ten dollars, but he’s adamant with me that HIS numbers should be picked because of the money he’s spent. Before he leaves he gives me a slow, piercing look with his wild eye.

“You better pick my numbers tonight, not like the last time.” Then he floats out of the station to his van; Bogart is jumping, shaking the van in jubilation at his return.

PeeWee: Public Relations

Upper middle class customers seem to leave immediately upon PeeWee’s arrival. PeeWee is a short middle-aged man, appropriately labeled the Pimp of Freeport. Well, I guess he used to be. For sure, he now puts his shady salary into the lottery system.

He always wears his white plastic-like hat (it looks like a miniature cowboy hat) with small black feathers held together by a black satin ribbon. He’s wearing his green and white striped polo shirt, stained from coffee and other unknown substances. He wears gray trousers and scuffed alligator shoes. His skips into the station with a grin full of mistreated teeth. His charcoal face and deep brown pupils contrast with the intensity of the whites of his eyes.

He hands me his list of tattered notebook paper. It’s scribbled in writing that resembles a child’s. After I hand him the completed tickets with his numbers, he has suddenly thought of more. Through his strong distinctive lisp, I hear about two more numbers. After paying only about four dollars, PeeWee’s vivid presence dances away. He drives off in his dusty blue convertible with some scantily clad and terribly ugly middle-aged woman in the passenger seat. Not only do the customers sigh in relief when PeeWee leaves, but the store itself seems to be more comfortable as well.

Members of the Board

Butch, Ed, and PeeWee only make up small amounts of the regular lottery players that come in during a night at Phillips 66. Usually more familiar faces linger into play the numbers.

Russ, a spirited look alike to Bill Cosby, comes in and shoots out numbers to me before he walks into the door. Thus, he’s affectionately called Dr. Huxtable among my co-workers. Without vision, we can easily recognize him as he yells out his commonly played Pick 4 numbers: 3414, 1947, 1923, and etc. He wears his tan overcoat, has a smile on his wrinkly freckled chocolate face. Sometimes he smoothes out his dry curly gray hair, and squints his eyes to look at my appearance, expecting me to have a new hairstyle. Then he always asks me, “Are you still in school? Do you still do all that drawing?”

He has a brother, Othar, which is a slimmer version of him with wilder black hair. Othar doesn’t only play regular lottery; he also plays instant tickets. He normally buys a pack of Merit Ultima 100 and about 30 dollars in instants with his winnings and crumpled bills. He takes his smokes and tickets and camps out in his clean white van, only leaving once in awhile to cash in tickets. He leaves with me a stack of old Pick 3 numbers to check for winnings. If he has a winner, I’m supposed to give him a “thumbs-up” through the window while he waits in his van. When Othar comes to the station to play, he usually never goes until close. He plays and plays until he runs out of money, and the money is always being found somewhere.

Eyes roll and people inhale when Dick walks in. Dick, an unkempt moldy old war veteran, walks all over town, and finally he stops into Phillips 66 for company and free coffee. His thick-framed glasses are always spotted and greasy. His back is hunched, weighted by his tummy. He seems goofy to those who don’t know him because he usually wears nice dress pants, a pair of tennis shoes, a raggedy bright red coat, and a frilly pink knit hat. He always announces he’s going bankrupt, sometimes in a mournful blues song he made up on the spot. After getting a cup of free coffee, he buys ten dollars in lottery tickets and cheap smokes. He goes outside and stands in front of the window to light up and gaze at the traffic outside. His eyes always look so sad, and I can’t help feel sorry for him, as his life seems to be hanging on by a thread. He’s excited when Butch comes, and doesn’t hesitate to corner him in a conversation about the same topic.

“The boss-man had no right to fire me.”

I don’t know what brings all these men together. Some nights all of them will circle together by the candy and talk colorfully about numbers and luck. They’ve all had that “feeling” about a certain number. They’re always sure the feeling is prophetic. If they win, they can better their lives. They all listen to Butch, who wins and has it better, but he still plays. Maybe it’s just considered an addiction, but I see more magic and color when these men talk about lottery then I see when smokers talk about cigarettes. They all seem to be caught in some life cycle, and they don’t mind. They wait patiently, twirling around in a machine with random circumstances. Someday, they believe their number will be picked.

Also, I did a cartoon of the regular lottery folks.

Also, I did a cartoon of the regular lottery folks.

END

Cheers,

HK Rowe